na bombuj.si. The masked female figures that wander adrift through Pour Hosseini’s intensely lyrical explorations of displacement find their most energetic form in the bird-woman at the centre of Kinetics. Shot in saturated 16mm colour, this dreamlike film follows a primeval female figure exploring an ancient landscape poised over an endlessly blue sea. She is at once alienated from and engaged by her surroundings, which suggest a site of self-discovery as much as one of profound disorientation.
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